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Tess Porter

User Experience Strategist (she/her)
Smithsonian Office of Educational Technology
Smithsonian Staff

I'm the former User Experience Strategist at the Smithsonian Office of Educational Technology. Here, I focused on the use of digital museum resources to support teaching and learning. My work draws on my experience as a museum educator, digital analyst, usability researcher, and content designer. I hold a B.A. in Anthropology and a B.A. in Art History from University Colorado Boulder, and an M.S. in Museums and Digital Culture with an Advanced Certificate in User Experience from Pratt Institute. 

Tess Porter's collections

 

Ancient Greek Myth: Reinterpreted by African American Artists

<p>In this student activity, analyze the timelessness of myth through three works of art by modern African American artists. Each artist, inspired by Ancient Greek myth, retells stories and reinterprets symbols to explore personal and universal themes. Includes three works of art, summaries of the myths they reference, and discussion questions. Also includes a video about the artist Romare Bearden and his series 'Black Odyssey,' which details Bearden's artistic process, the significance of storytelling in his art, and the lasting importance of 'Black Odyssey.'</p> <p>Big Ideas: How does myth reflect the values of an individual or their culture? How do myths reflect the human experience? How do myths transcend time and place?</p> <p>Inspired by a Smithsonian American Art Museum lesson plan, located <a href="https://americanart.si.edu/education/k-12/resources/african-american">here</a>.</p> <p>Keywords: greece, alma thomas, bob thompson</p>
Tess Porter
6
 

Flashcard Activity: Conflict, Identity, and Place in American Art

<p>This collection contains a selection of artworks related to the themes of conflict, identity, and place.  They may be used for a variety of purposes; here, we use them as a catalyst for discussion.  In small groups or as a classroom, have students select one artwork they find meaningful or interesting and discuss the following:</p> <ol><li>Why did you pick this artwork?  </li><li>What do you see?  Name specific aspects of the artwork you notice.</li><li>What do you think about what you see?</li><li>What does this artwork make you wonder? </li><li><em>Optional</em>: How might the artwork connect to the themes of conflict, identity, and place?</li></ol> <p> </p> <p>This activity works equally well online or using printed flashcards (see <a href="https://learninglab.si.edu/collections/flashcard-activity-conflict-identity-and-place-in-american-art/wCjeBXbgRgExR2Py#r/883001">the resource tile</a>).  You may also replace or pair the above activity with a Project Zero Thinking Routine found in the final section of the collection. </p> <p><em>This Smithsonian Learning Lab collection contains artwork selected by <a href="https://learninglab.si.edu/profile/666">Phoebe Hillemann</a>, Teacher Institutes Educator at the Smithsonian American Art Museum, to be featured in the 2018 Smithsonian American Art Museum Summer Institute for Teachers, "Teaching the Humanities through Art."  The activity is adapted from Project Zero's See / Think / Wonder routine.</em></p> <p>Keywords: printable, flash card, project zero visible thinking routine, New Jersey Principals and Supervisors Association, NJPSA, saam</p>
Tess Porter
51
 

Symbolism, Story, and Art: Achelous & Hercules

<p>A teacher's guide to the 1947 mural "Achelous and Hercules," by Thomas Hart Benton, which retells an Ancient Greek myth in the context of the American Midwest. Includes the painting, a pdf of the myth "Achelous and Hercules," a website, and video discussions by curators and educators. The website includes an interactive exploring areas of interest on the piece, as well as lesson and activity ideas for the classroom.</p> <p>Lesson & Activity Pathways: how to analyze symbol and meaning in art and writing, Ancient Greek myth, creative writing, and creating art.</p> <p>Keywords: greece, post-war, painting, agriculture, marshall plan, truman, missouri river</p>
Tess Porter
5
 

Dissolution of Native American Territory 1885-1905

<p>This student activity examines what events, including the Dawes Act of 1887, contributed to the change in Native American reservation boundaries over time. Includes a video discussing 19th century views toward Native Americans, maps of reservation territory in 1885, 1895, 1905, and 1965, discussion questions, and an opportunity to learn more using an interactive map.</p> <p>Big idea: Understand how boundaries of Native American reservations have changed over time, and what events lead to the alteration of borders.</p> <p>Keywords: American Indian, western expansion</p>
Tess Porter
8
 

Looking at Ancient Civilization through Objects

<p>This teacher's guide provides suggestions for facilitating student investigation of archaeological remains. Includes examples of objects to use (Ancient Chinese oracle bones) and a handout on artifact analysis that adapts close reading strategies to explore cultural objects. This concept can be replicated for other artifacts and cultures.</p> <p>Use the handout to brainstorm supporting questions for students - ie. "What knowledge or experience did the maker have?" "Who were the intended users?" Answers to these questions give students the knowledge to answer larger, compelling questions, like "What can archaeological remains reveal about early Chinese urban society?" </p> <p>Keywords: China, archaeology, archaeologist</p>
Tess Porter
6
 

Civil Rights Sculpture: Claim Support Question

<p>Using the Project Zero Visible Thinking routine "Claim Support Question," a routine for clarifying truth claims, students will examine a portrait of Rosa Parks, a prominent civil rights activist whose refusal to give up her bus seat to a white passenger prompted the 1955-56 Montgomery bus boycott. After discussing the portrait with their peers, students will learn more about the arrest this sculpture depicts by reading the original police report, with notes by a Smithsonian curator.</p> <p>Created for the 2016 National Portrait Gallery Summer Teacher Institute.</p> <p>Keywords: african-american, black, civil rights movement, female, woman, women, segregation, NAACP, justice, arrest, #BecauseOfHerStory</p>
Tess Porter
3
 

Bracero Program: Unveiling Stories

<p>In this activity, students will examine photographs documenting the Bracero Program, the largest guest-worker program in US history. Started in 1942 as a temporary war measure to address labor demands in agriculture and railroads, the program allowed Mexican nationals to take temporary agricultural work in Texas, New Mexico, Arizona, California, and 24 other states. By the time the program ended in 1964, over 4.6 million contracts were awarded. </p> <p>Using two Project Zero Global Thinking Routines - "Unveiling Stories" and "The 3 Ys" - students will analyze the stories these photographs tell about the experiences of braceros in this program, and the impact of these stories in multiple contexts. Additional resources (primary sources, a digital exhibition, and an article) and information on how to use these routines in the classroom can by found by clicking <em>Read More »</em>.</p> <p>Keywords: mexican, immigration, work, migration, migrant workers, agriculture, reform, politics, government, leonard nadel, photojournalism, activity, inquiry strategy, global competency, global competence, latino, chicano, California, Arizona, New Mexico, Texas, Arkansas, 1940s, 40s, 1950s, 50s, 1960s, 60s </p> <p>#LatinoHAC #EthnicStudies</p>
Tess Porter
37
 

Suffrage Pin: Object Analysis

<p>Using the Project Zero Visible Thinking routine "See Think Wonder," this activity explores the struggle of suffragists during the American suffrage movement through deep analysis of one object - a pin, worn by suffragist Alice Paul, in the shape of a jail door with a heart-shaped lock. Pins such as these were given in a ceremony to suffragists who were imprisoned as a result of the 1917 pickets. Includes the pin, an article discussing the history behind the pin, and multiple photographs suffragist picketers.</p> <p>Keywords: women's rights, suffrage, suffragette, protest, reform, civil rights, equal rights, alice paul, jailed for freedom, pin, national women's party, nwp, voting, vote</p>
Tess Porter
6
 

Dong Kingman

<p>This collection focuses on Dong Kingman (1911-2000), an American watercolorist best known for his urban and landscape paintings, magazine covers, and scenery work for multiple films. Dong Kingman was born in Oakland, California, to Chinese immigrants and moved to Hong Kong when he was a child. There, he studied both Asian and European painting techniques before returning to the United States during the Great Depression. Artwork in this collection includes works created for the Works Progress Administration, the NASA Art Program, and Time magazine. Also included is a short documentary, directed by two-time Academy Award winner James Wong Howe, and Dong Kingman's obituary from the New York Times.</p> <p>This collection is not comprehensive but rather provides a launching point for research and study. <br /></p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.</em></p> <p>Keywords: chinese american, china<br /></p> <p>#APA2018<br /></p>
Tess Porter
21
 

Bob Dylan and Woody Guthrie: Teaching Resources

<p>This topical collection gathers resources about Bob Dylan, one of the most influential American music artists of the 20th century, and Woody Guthrie, who greatly influenced the work of Dylan and other folk artists. Ideas for classroom application located in "Notes to Other Users." Resources include images, videos, music, and a lesson plan.</p> <p>Tags: minnesota; hibbing; folk music; medieval music; ballad; #SmithsonianMusic<br /></p>
Tess Porter
15
 

The Bikini Atoll and Operation Crossroads: Unveiling Stories

<p>In this activity, students will analyze photographs documenting the exodus of Bikini islanders from Bikini Atoll prior to Operation Crossroads, a pair of nuclear weapons tests and the first detonations of nuclear devices since the bombing of Nagasaki. These photographs were taken by Carl Mydans and were published in the LIFE Magazine article, "Atomic Bomb Island," on March 25, 1946. </p> <p>Using two Project Zero Global Thinking Routines - "Unveiling Stories" and "The 3 Ys" - students will analyze the stories these photographs communicate about the experiences of the Bikini islanders and America's perspective on military advancement after WWII. They will also consider the perspectives presented by these photographs, in multiple contexts from the personal to the global. Additional resources (primary sources and the original article) and information on using this collection in the classroom can by found by clicking <em>Read More ».</em></p> <p>Keywords: atomic testing, atomic bomb, operation crossroads, bikini islands, bikini atoll, rongerik, able test, baker test, nuclear bomb, photojournalism, inquiry strategy, global competence, global competency, 1940s, 40s, 1950s, 50s, 1960s, 60s </p> <p><br /></p>
Tess Porter
17
 

Social Justice: National Museum of the American Indian Resources

<p>This collection previews the second seminar of the 2017 Montgomery College / Smithsonian Institution Fellowship seminar series, <em>The Native American Struggle for Treaty Rights and Tribal Sovereignty.</em> Three National Museum of the American Indian staff members will lead this event: Mark Hirsch, David Penney, and Colleen Call Smith.</p> <p>Resources included in this collection have been chosen by the presenters for participants to explore before the seminar itself.</p> <p>#MCteach</p>
Tess Porter
7