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Tess Porter

User Experience Strategist (she/her)
Smithsonian Office of Educational Technology
Smithsonian Staff

I'm the former User Experience Strategist at the Smithsonian Office of Educational Technology. Here, I focused on the use of digital museum resources to support teaching and learning. My work draws on my experience as a museum educator, digital analyst, usability researcher, and content designer. I hold a B.A. in Anthropology and a B.A. in Art History from University Colorado Boulder, and an M.S. in Museums and Digital Culture with an Advanced Certificate in User Experience from Pratt Institute. 

Tess Porter's collections

 

Bracero Program: Step In, Step Out, Step Back

<p>In this activity, students will examine a painting of Mexican guest-workers, known as braceros, involved in the Bracero Program (1942-1964), the largest guest-worker program in US history.  Started as a temporary war measure to address labor demands in agriculture and railroads, the program allowed Mexican nationals to take temporary agricultural work in Texas, New Mexico, Arizona, California, and 24 other states. By the time the program ended in 1964, over 4.6 million work contracts were awarded.  </p> <p>Using a Project Zero Global Thinking Routine - "Step In - Step Out - Step Back" - students will examine the perspectives of those depicted in the painting, consider what it means to take the perspectives of others, and explore avenues and methods to learn more about Braceros. Resources for learning more about the Bracero program are located at the end of the collection and include: <em>Bittersweet Harvest</em>, a digital exhibition about the Bracero Program; the <em>Bracero History Archive</em>, which includes oral histories, objects, and more; and a Learning Lab collection of photographs documenting the Bracero Program.</p> <p>Keywords: laborer, immigration, work, migration, migrant workers, agriculture, reform, politics, government, photojournalism, activity, inquiry strategy, global competency, global competence, latino, chicano, 1940s, 40s, 1950s, 50s, 1960s, 60s</p><p>#EthnicStudies</p>
Tess Porter
6
 

American Ingenuity, Innovation, and Enterprise: National Air and Space Museum Seminar Resources

<p>This collection previews the fourth seminar of the 2016 Montgomery College / Smithsonian Institution Fellowship seminar series. Fellows will visit the National Air and Space Museum to learn about the design and development of space suits, as well as current conservation challenges and strategies. Two National Air and Space Museum staff members will lead this seminar: Cathy Lewis, Curator of International Space Programs and Spacesuits, and Lisa Young, Objects Conservator.</p> <p>Included in this collection: presenter bios, presentation description, and resources for attendees to explore before attending the session. The first resource in the collection - "A Picture is Worth a Thousand Words: Using X-radiographs of the National Air and Space Museum's Spacesuit Collection to Promote Preservation" - is required. The other resources are not required, but will help prepare for discussion the day of the seminar.</p><p>#MCteach<br /></p>
Tess Porter
17
 

Social Justice: National Museum of African American History and Culture Resources

<p>This collection previews the first seminar of the 2017 Montgomery College / Smithsonian Institution Fellowship seminar series, <em>A Journey Through the African American Lens</em>. Five National Museum of African American History and Culture staff members will lead this event: Kinshasha Holman Conwill, Dr. Rex Ellis, Dr. Jacquelyn Serwer, Dr. Michèle Gates Moresi, and Mary Elliott.</p> <p>Resources and reflection questions included in this collection have been chosen by the presenters for participants to explore, consider, and answer before the seminar itself. Fellows will be asked to discuss their answers to the reflection questions during the seminar. </p> <p>#MCteach</p>
Tess Porter
41
 

Exploring Complexity: Westward the Course of Empire Takes Its Way

<p>In this activity, students will analyze an artwork that celebrates the idea of Manifest Destiny and western expansion - Emanuel Leutze's 1861 mural study for <em>Westward the Course of Empire Takes Its Way</em>, the final version of which rests in the U.S. Capitol Building.  Through the use of two Project Zero Thinking routines - <em>What makes you say that?</em>, a Visible Thinking routine for interpretation and justification; and <em>Parts, Purposes, Complexities</em>, an Agency by Design routine for looking closely - students will consider what message this painting conveys, how choices made by the artist convey that message, as well as what perspectives are portrayed and what perspectives are missing.  After looking critically, students will watch a video and learn from senior curator Richard Murray how to read this painting and what messages/images they may have missed.</p> <p>This activity can be used as an entry point or supplement in studying westward expansion, the idea of Manifest Destiny, how public perspectives are shaped, and more.  Resources to extend this activity include: a website about the final mural located in the U.S. Capitol Building and a Smithsonian American Art Museum lesson plan about both the mural study and the final mural.</p> <p><em>Keywords: Emanuel Gottlieb Leutze, manifest destiny, westward expansion</em></p>
Tess Porter
7
 

What Makes You Say That?: Civil War Photograph

<p>Using the Project Zero Visible Thinking routine "What makes you say that?," students will investigate a photograph from the Civil War taken by the studio of Mathew Brady, one of the most prominent American photographers of the 19th century.  The Civil War was the first major war captured on camera and photographs, like this one, played a pivotal role in shaping public perceptions of the conflict.</p> <p>This activity can be used as an entry point into studying soldiers' experiences during the Civil War, photography's effect on public perspectives about war, and more.  Resources to extend this activity include: a Smithsonian American Art Museum lesson plan investigating this and other photographs from the Civil War, a blog post discussing connections between Civil War photography and President Abraham Lincoln, a Smithsonian Magazine article about Civil War photographer Alexander Gardner, a Learning Lab collection on Alexander Gardner's <em>Photographic Sketchbook of the War, </em>and an article discussing the National Portrait Gallery's recent exhibition <em>The Face of Battle: Americans at War, 9/11 to Now</em>.</p> <p><em>Keywords: photo, battlefield, inquiry strategy</em></p>
Tess Porter
8
 

Ancient Egyptian Religion & Social Hierarchy: Pyramids

<p>This student activity examines the importance of religion and social hierarchy in Ancient Egypt through the construction of pyramids. Details evolution over time and encourages cross-cultural comparison. Includes photographs, an artifact, a video, a reading-level appropriate article, and opportunities to learn more at the Met Museum website and Google Street View.</p><p>Big Questions: </p><p></p><ul><li>How did the pyramids evolve over time? </li><li>How does this evolution reflect the importance of religion and social hierarchy in Ancient Egyptian urban society?</li></ul><p></p><p>Keywords: archaeology</p>
Tess Porter
12
 

Minnesota: Investigating a Place

<p>This teacher's guide uses stamps, photographs, paintings, objects, videos, and music to explore the history and culture of Minnesota, Land of 10,000 Lakes. In the classroom, these resources can be used by students to investigate two essential questions: How do you define Minnesota as a place? What does it mean to be a Minnesotan? </p><p>Supporting questions and activity implementation ideas are located under this collection's Information (i) button.<br /></p>
Tess Porter
54
 

Asian Pacific American Artists

<p>This topical collection includes resources related to Asian Pacific American artists, including individuals who work in photography, sculpture, painting, installation art, video art, landscape design, furniture design, jewelry and architecture. This collection includes portraits of the artists, artwork, articles, videos with experts, and related Smithsonian Learning Lab collections. </p> <p>Teachers and students may use this collection as a springboard for classroom discussions including biographies of Asian Pacific American artists, art analysis, and historical context. This collection is not comprehensive but rather provides a launching point for research and study. </p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. </em> </p> <p>Keywords: Nam June Paik, Korean American, Roger Shimomura, Japanese American, Maya Lin, Vietnamese American, CYJO, Cindy Hwang, Isamu Noguchi, Yasuo Kuniyoshi, Akio Takamori, George Nakashima, visual art<br /></p> <p>#APA2018</p>
Tess Porter
124
 

New Orleans & Place

<p>Includes iconic people, places, and things associated with New Orleans. In the classroom, these resources can be used by students to investigate two essential questions: How do you define New Orleans as a place? What does it mean to be a New Orleanian? </p><p>Supporting questions and activity implementation ideas are located under this collection's Information (i) button.</p><p>Keywords: louisiana</p>
Tess Porter
28
 

Multiple Perspectives: Artwork of the Great Depression

<p>In this activity, students will explore what life was like during the Great Depression through the perspectives of multiple artworks. After using looking strategies to examine six paintings, students will write a short essay comparing and contrasting these artworks while considering what art can reveal about life in particular time periods.</p><p>Big Ideas: </p><p></p><ul><li>How did perspectives regarding life during the Great Depression differ during that historical period</li><li>How can you see these differing perspectives through artwork created during the historical period?</li></ul><p></p> <p>Keywords: Public Works of Art Project, Federal Arts Project, Works Progress Administration, New Deal</p>
Tess Porter
7
 

Letter Writing and Censorship in World War I

<p>This activity has students investigate experiences of servicemen in World War I through primary sources - censored U.S. Army mail postcards and envelopes.  Students will compare and contrast these primary sources to examine how censorship affected communication between servicemen and their loved ones, while building an understanding of how U.S. Army mail censorship was implemented and why it was necessary.  Using two Project Zero Visible Thinking routines, this activity is designed to spark further inquiry into World War I and the experiences of servicemen. The activity ends with an opportunity to learn more by examining a parody of the form postcard written by a British serviceman in his diary.</p> <p>Information on how to use this collection in the classroom can by found by clicking <em>Read More »</em>. </p> <p>This collection was created in conjunction with the National Postal Museum's "My Fellow Soldiers: Letters from World War I" teacher workshop (July 19, 2017). It focuses on two of the many postcards from <a href="https://learninglab.si.edu/collections/my-fellow-soldiers-postcards-from-world-war-i/HPrCVWkR1wqjpK3k#r" target="_blank">this topical collection</a> to demonstrate its use in a secondary classroom. #NPMTeacherPrograms</p> <p>Keywords: WWI, WW1, the great war, army, military, soldiers, soldier, primary source, project zero, thinking routine</p>
Tess Porter
9
 

Shoes: Exploring Culture, History, Place, and Innovation

<p>Teacher's guide for using shoes to explore culture, history, place, and innovation. Includes images of thirty shoes and three different strategies, located at the end of the collection, for using these objects in the classroom. </p> <p>Strategies include: a small-group object analysis activity; a poster, "If You Walked in My Shoes," introducing students to basic primary source analysis questions through six pairs of shoes; and a vocabulary exercise for ESL learners.</p>
Tess Porter
33