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Tess Porter

User Experience Strategist (she/her)
Smithsonian Office of Educational Technology
Smithsonian Staff

I'm the User Experience Strategist at the Smithsonian Office of Educational Technology. Here, I focus on the use of digital museum resources to support teaching and learning. My work draws on my experience as a museum educator, digital analyst, usability researcher, and content designer. I hold a B.A. in Anthropology and a B.A. in Art History from University Colorado Boulder, and an M.S. in Museums and Digital Culture with an Advanced Certificate in User Experience at Pratt Institute. 

learninglab@si.edutwitter.com/smithsonianlab

Tess Porter's collections

 

collection testing

<p>tbd</p>
Tess Porter
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<p>test</p>
Tess Porter
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Perspectives in Portraiture: Wendy Red Star

<p>How can museum resources help your students consider multiple perspectives and find ways to uplift the voices of others? </p> <p>This collection contains an activity and additional resources to help students build close looking skills, unveil stories, and explore diverse viewpoints—including their own. The first section of this collection is designed to use directly with students. The following sections are designed for teachers and include additional portraits, teaching ideas, and Smithsonian Learning Lab support to meet students' needs.</p> <p>This collection was created with <a href="https://learninglab.si.edu/profile/eveeaton">Eveleen Eaton</a> to support the 2023 Washington International School Summer Institute for Teachers (WISSIT). When used during this session, participants uploaded and annotated self-portraits with Google Slides. Consider using a digital or physical format to collect and display self-portraits created using this activity. <br><br>#WISSIT #WISSIT23</p> <p></p>
Tess Porter
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Exploring Identity with Playful Art-Making: Shantell Martin

<p>This collection contains activities to explore personal identity and the identities of others using self-portraiture, contemporary art, discussion-provoking questions, playful art-making, and the works of Shantell Martin. The first half of this collection is designed for students to use directly, and includes artwork, videos, and Project Zero Thinking Routines to support explorations of how artists reveal parts of their identity through their work. The second half of the collection is designed for teachers and includes additional resources to support further exploration into Shantell Martin's work, portraiture, and ideas of identity.</p> <p>This collection was created with <a href="https://learninglab.si.edu/profile/eveeaton">Eveleen Eaton</a> to support the 2022 Washington International School Summer Institute for Teachers (WISSIT). When used during this session, participants uploaded their self-portraits to a digital exhibition created using Padlet. Consider using a digital or physical format to collect and display self-portraits created using this activity. <br><br>#WISSIT #WISSIT22<br></p>
Tess Porter
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Tennessee Williams: Examining Portraiture

<p>This teacher's guide provides portraits and analysis questions to enrich students' examination of Tennessee Williams, an American playwright and Pulitzer Prize winner. Includes the video "Defining Portraiture: How are portraits both fact and fiction?" and the National Portrait Gallery's "<em>Reading" Portraiture Guide for Educators, </em>both of which provide suggestions and questions for analyzing portraiture.  </p> <p>Consider:</p> <p></p> <p></p> <ul><li>What do these portraits have in common? How are they different?</li><li>How are these portraits both fact and fiction?</li><li>How do these portraits reflect how they wanted to be seen, or how others wanted them to be seen? Consider for what purpose these portraits were created (such as Time Magazine, stamp, etc.).</li><li>Having read one of his plays, does the portrait capture your image of Tennessee Williams? Why, or why not?</li><li>If you were creating your own portrait of Tennessee Williams, what characteristics would you emphasize, and why?</li></ul> <p></p> <p></p> <p>Keywords: mississippi, ms, play, author, streetcar named desire, writer</p>
Tess Porter
7
 

Investigating Tribal Sovereignty through Objects

<p>This collection was created to accompany the live session <em>Cultivating Learning: Investigating Tribal Sovereignty through Objects,</em> hosted with guest educator Renée Gokey from the <a href="https://americanindian.si.edu/" target="_blank">National Museum of the American Indian</a>, which focuses on transferrable, inquiry-based techniques to help students explore and understand tribal sovereignty through cultural objects. Tribal sovereignty is the authority of Native nations to self-govern, and it impacts how Native nations operate their own governmental systems, manage tribal lands, build economic strength, and facilitate complex relationships with local, state, and federal governments. This collection includes digital museum resources and standards-based approaches discussed during the session. </p> <p>This session aired live on June 13, 2022 at 4:00 PM ET; <a href="https://www.youtube.com/watch?v=IX7k1_pWa00" target="_blank">click here to view on YouTube</a>. </p>
Tess Porter
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Asian Pacific Americans in Sports

<p>This topical collection about important Asian Pacific American athletes and sports innovators includes portraits, artifacts, blog posts, and a video. <br /></p> <p>Teachers and students may use this collection as a springboard for classroom discussions about Asian Pacific American representation in sports. This collection is not comprehensive but rather provides a launching point for research and study. </p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center.  </em></p> <p>Keywords: Duke Kahanamoku, Hawaiian, Pedro Flores, Filipino American, Philippines, Apolo Ohno, Japanese American, Kristi Yamaguchi, Craig Beardsley, Chinese American,  Darsh Singh, Indian American, Sikh, Olympics, surfing, surfer, swimmer, swimming, yo-yo, yo-yoing, speed skating, ice skating, 9-man volleyball, rowing, baseball, basketball</p> <p>#APA2018<br /></p>
Tess Porter
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American Ingenuity, Innovation, and Enterprise: Opening Seminar Resources

<p>This collection previews the opening panel of the 2016 Montgomery College / Smithsonian Institution Fellowship seminar series. Three Smithsonian staff members will speak at this event: Tricia Edwards of the National Museum of American History, Doug Herman of the National Museum of the American Indian, and Josh Bell of the National Museum of Natural History.</p> <p>Included in this collection: presenter bios, presentation titles and descriptions, and resources chosen by presenters for attendees to explore before attending the session. These resources are not required readings - instead, they provide guiding questions and background information to help prepare for discussion the day of the seminar.</p><p>#MCteach</p>
Tess Porter
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American Ingenuity, Innovation, and Enterprise: National Portrait Gallery Seminar Resources

<p>This collection previews the third seminar of the 2016 Montgomery College / Smithsonian Institution Fellowship seminar series. Fellows will visit the National Portrait Gallery, explore the exhibitions, and learn strategies for examining portraiture in the classroom. Two National Portrait Gallery staff members will lead this seminar: David C. Ward, Senior Historian, and Briana Zavadil White, Student and Teacher Program Manager.</p> <p>Included in this collection: presenter bios, presentation description, and resources chosen by the presenters for attendees to explore before attending the session. Fellows will be asked to discuss their answer to the quiz question during the seminar. Other resources are not required, but will help fellows prepare for discussion the day of the seminar.</p><p>#MCteach<br /></p>
Tess Porter
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Hawaiian Monarchs

<p>This topical collection includes resources related to the eight monarchs of the Kingdom of Hawaii.  In order of succession, the monarchs are: Kamehameha I (r. 1810 - 1819); Kamehameha II (r. 1819 - 1824); Kamehameha III (r. 1825 -  1854); Kamehameha IV (r. 1855 - 1863); Kamehameha V (r. 1863 - 1872); Lunalilo (r. 1873 - 1874); Kalākaua (r. 1874 - 1891); and Liliʻuokalani (r. 1891 - 1893).  </p> <p>The Kingdom of Hawaii was established as a constitutional monarchy in 1810 by King Kamehameha I.  In 1893, a coup led by American businessmen driven by sugar and pineapple business interests in the Hawaiian islands overthrew Queen Lili'uokalani.  Despite native protests and Lili'uokalani's efforts to reclaim the throne, the United States annexed Hawaii as a territory in 1898.  Hawaii became an American state in 1959.</p> <p>This collection is not comprehensive but rather provides a launching point for further research and study.</p> <p><em>This Smithsonian Learning Lab collection received Federal support from the Asian Pacific American Initiatives Pool, administered by the Smithsonian Asian Pacific American Center. </em></p> <p>Keywords: Kamamalu, Emma, Kapi'olani, Kapiolani, Kalakaua, Liliuokalani, Hawaiian, royals, royalty</p> <p>#APA2018</p>
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Lalibela, Ethiopia: Teaching Resources

<p>This topical collection gathers teaching resources on Lalibela, a UNESCO site in Ethiopia famous for its rock-hewn churches built in the 12th and 13th centuries CE. Christianity was established early in Ethiopia, and orthodox Christianity became the official religion of the Axumite Kingdom in the 4th century CE. Includes a video, a website, objects, and a contemporary painting from the National Museum of African Art.</p> <p>Keywords: ethiopian, africa, african, christian</p>
Tess Porter
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Social Justice: Center for Folklife and Cultural Heritage Resources

<p>This collection previews the fourth seminar of the 2017 Montgomery College / Smithsonian Institution Fellowship seminar series, <em>The Social Power of Music</em>. Two staff members from the Smithsonian Center for Folklife and Cultural Heritage will lead this event: James Deutsch and Atesh Sonneborn.</p> <p>Resources and questions included in this collection have been chosen by the presenters for participants to explore and consider before the seminar itself. Two resources, included at the end of the collection, are optional materials for those interested in addtional background information on Smithsonian Folkways.</p> <p>#MCteach</p>
Tess Porter
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